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Other magic spells are necessary to defeat the Elemental bosses. These spells are found in each of the four domains, and include "Windbane," "Blightwater," "Firesmite" and "Earthscorch.
Players can obtain additional magic by collecting small, floating, gold bubbles that appear randomly  or are triggered by the player's proximity to secret locations.
Players may also increase their score by defeating enemies or collecting items. Hidden along the way are the "Relics of Sindarin," which are worth many points when collected; these consist of a book, cross, gauntlet, and ring.
At the end of the game, players with a high enough score can place their names in the "IronSword Hall of Fame. New to the technical capabilities of the Nintendo Entertainment System , the Pickford brothers visited Rare and were pleased with their NES library, though they thought they were backtracking by deciding to develop games for the console.
But the games were ten times better than everything being released for home computers, which we appreciated, and we wanted to try to make games as good as that.
Development started in early , when the Pickford brothers were still learning about the NES and what it could do. At the same time, as being new to developing console video games, they were also learning about the market aspects and Nintendo 's policies and restrictions on games.
Feeling that the graphics in most of the games in the NES library were poor, they placed emphasis on the graphics and animation. Pickford was particularly pleased with the animation of the enemy eagles and their movement.
Rare assisted with the sound, and all of the game's background music was composed by video game composer David Wise , who Pickford said "did a fantastic job on IronSword ".
Ste Pickford developed the gameplay map for Ironsword. According to him, he basically copied the map that was used in a conversion port of Ghosts 'n Goblins that he developed a couple of years earlier.
For the map screen, Ste Pickford used specific character data in the ROM itself, used the font from elsewhere in the data that was inserted separately, and overlaid the Elementals' floating heads over the top of the graphic.
In developing the game's graphics, Ste Pickford translated black and white sketches into the character maps in the game.
For the bosses, the plan was to use the entire screen while involving as few moving sprites as possible "to fool the player into thinking the whole thing was alive".
The dragon's neck stretched out vertically due to NES hardware sprite limitations horizontally. It was done in Deluxe Paint for the Amiga with sketching done by mouse - without assistance from graphics tablets or other scanners.
He took eagle drawings from a book on animals in motion by Eadweard Muybridge. Pickford wanted to show off the possible graphical capabilities of the NES; he said, "I wanted to do something 'flashy' early in the game, trying to show off my amazing graphic art skills on the rather primitive NES.
We were working on Amiga and ST games at the same time, so were always trying to push the NES with bigger and better graphics, right from the start of our work on the machine.
There was a smaller version of the same eagle, which was used as a regular enemy in that level. Development of the game's title screen was inspired by loading screens that were used in most computer games at the time; the objective was to create a nice-looking graphic while waiting for the game to load, even though the NES, more rooted in arcade traditions, did not require that.
Pickford spent most of his character space on the title screen image; he was limited in the number of available colors due to the more limited graphic capabilities of the NES as opposed to most home computers , as it was more designed for scrolling and animation and not for stationary graphics.
The sword in the title screen used character sprites and used a different palette from the picture of Kuros himself; the sword had to be vertical as the NES hardware did not allow for too many sprites horizontally.
Pickford planned to use, and completed, an Ironsword logo of his own when Acclaim made him use their planned logo, which he said "was a bit more bland and blocky, with detail that didn't work very well at such a low pixel resolution".
For the game's cover, Acclaim hired Italian male model Fabio Lanzoni to pose as Kuros; Fabio was presented on the cover bare-chested and without armor.
When Zippo Games saw the image of the cover a week prior to its release, they were perplexed. According to Ste Pickford, "Our jaws hit the floor when we first saw this image which was, being merely the developers, probably about a week before the game's release.
Why on earth did they choose a photograph of a bare-chested barbarian to promote a game starring a knight in shining armour? After describing the brief plot and shortly showing clips of the game, the Conan-lookalike leaves his room while exclaiming, "The fate of the world is in your hands!
Back vile beast! At the end of the commercial, after briefly playing Ironsword , the boy opens the door in his room, only to find his dog, who now has smoke coming from his behind.
Steve Harris said that the game was very large and expansive, noting that it "is so big, and has so much to offer, most of the competition pales by comparison".
Ed Semrad called the game "a worthy sequel that fortunately is better than the original", similarly noting the game's size as well as difficulty.
Donn Nauert appreciated the game's good graphics which complement the adventure theme, but he noted that some of the precise movements that are required in various areas may cause some frustration in gameplay.
All four reviewers lauded the game's involving gameplay and graphics. The reviewers, the U. They praised its well-detailed and thought-out graphics, the inclusion of well-drawn out large bosses and supporting characters, the sound which "has an eerie tone that sets the mood for the whole game", and additional features which expanded upon the game's predecessor.
They concluded that Ironsword was "one of the most welcome Nintendo Entertainment System games in a long time". Matt Regan said that he was not impressed with the game, saying that similar platforming games such as DuckTales and Gremlins 2: The New Batch were superior to Ironsword and had a more original approach in gameplay.
He also criticized the fact that players cannot hit enemies while in mid-air. However, he noted the game's good gameplay.
Julian Rignall also said that the game was fun, but it was not spectacular. However, he noted the game's good graphics and challenge, though both noted that the backgrounds "are slightly bland".
Both reviewers said the game was well-presented with good introductions and a password mode, easy controls, fair challenge, and "fairly good tunes and effects which fit the action well".
Overall, they said that Ironsword was "a fun but ultimately limited game that will appeal to platform fans".
Reviewer Sam Claiborn said that the game was more expansive than its predecessor and that it featured many of the good graphics, gameplay, and usage of Middle English.
He also noted that "Fabio's bare-breasted likeness smoldering on IronSword's cover art that made this game a smash hit with kids and moms alike".
The game's cover, which features Fabio, has received significant coverage from many gaming websites. IGN listed Ironsword as having one of the most notable covers in video game history, listing its cover as the 2nd best of all time behind Ninja Golf.
From Wikipedia, the free encyclopedia. National Video Game Team September Electronic Gaming Monthly. Lombard, IL : Sendai Publications 3 : 46— Retro Gamer.
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